Yesterday was a great day, I had a meeting with my new manager that left me feeling inspired and empowered, and then my friend had a one-woman show at the Comedy Central Stage in Hollywood. I went to it only knowing it was a dark comedy about wanting to die and I left, moved to tears, heart aching, stones in my throat. Another inspiring moment. From the sound of that, you might think, “Wow, actors have it easy in LA!” But let’s clear up some misconceptions. The reason I had a meeting was because my former manager switched career tracks and is doing something else now, and that left me in a weird space where maybe I was still with the same company but with no attachment to one particular manager, which meant I’d feel like I was just that kid who hung around a party wanting to be invited in but not knowing if I was welcome. So I asked for things to be clarified with my new contact and he set up a meeting to get to know me and see about working together. We meshed well and know more about one another now and I’m really excited to move forward with the company now, knowing he knows where I’m at and I know where they are in this whole process.
Michaela Myers’ stage setup for her one-woman show I Am Vertical, performed at the Comedy Central Stage in Hollywood
Actress Michaela Myers
Regarding my friend’s show, her name is Michaela Myers, she’s incredibly smart, funny, gorgeous, and wow, is she talented! I actually just made her acquaintance recently, in the last few months. I had gotten into the improv comedy scene this year and ended up joining a bunch of different Facebook groups for comedy in LA. On one of them, I saw a request for submissions for a new comedic web series, starring women, & written and directed by women, which is what we need more of in this industry! There wasn’t that much information but I submitted and they got back to me and told me they wanted me to read for a particular character, and asked for a self-tape first. After that, they asked me to come in for a callback in person, and I did, and they ended up wanting to book me for the part. Now, most of you already know a lot of these web series are deferred payment. So you have to decide for yourself whether or not it will be a good project to be a part of, or not. I asked for other projects they’d worked on and they sent me some clips, which got me really excited because they were well-produced and funny, so I signed on. Through that whole process, I met so many incredible people, movers and shakers, and good people to know. I added to my tribe. I learned a lot. I got to be a lead on a show, and have that experience, AND make all sorts of new connections. (Read about our webseries.)
A behind the scenes shot from Under the Table web series. Ashaki Ayoka adjusting a light as DP Nathan Krauss scopes out his shot
My co-star on Under the Table, Maggie Monk, took this shot of me massaging Pam with my feet while we were hurrying up and waiting for our next scene
But let’s get back to Michaela. She’s been in the comedy scene. She decided to do a one-woman show and through her network she was able to work with an incredible director to help her put her show together. She made the crowd laugh until our ribs hurt, and then she took us into her deep hole of despair and cry with her, and brought us back to the light of love and laughter. But you know what? She wasn’t even SAG when I started working with her on our web series. Through doing the show (and the producer doing the paperwork PROPERLY) she’s now SAG-Eligible. And she has no representation, but I think after last night, people will be knocking on her door. She has talent. She can write. She can act. She can do comedy, and drama, and dramedy. Even though she didn’t have representation, she was still making her own content and producing for herself, and going out for projects like our webseries, because it’s all part of the experience and process, and all of that can help you become a better artist, a better actor.
Cindy Chu, Michaela Myers, Maggie Monk with their cash on set of Under the Table
So with all of that being said, let’s get back to it. Many aspiring actors take off and move to Los Angeles or New York to make it big and go for their dreams. Many of us don’t have a good network in place or we may not even know what to do when we get there. Here are some important tips that I’ve learned through trial and error and I’m here to share them with you. Here are 5 things you can implement right now.
1) DON’T JUST WAIT FOR OPPORTUNITIES, MAKE YOUR OWN, & BUILD YOUR TRIBE
You’re going to hear this over and over again. Produce your own content. Write. Film. Put it on Vine or YouTube! You can use your actor friends to collaborate with! Consumer cameras and technology have grown so much that you can self-produce professional looking videos pretty easily. Don’t worry if it’s not great to begin with, the more you do it, the better you’ll get.
2) MAKE SURE YOUR REELS/HEADSHOTS/PROFILES ARE UP TO DATE
Take some time to make sure your various casting site profiles are up to date and if you have new footage you can use for your reels, get those reels cut and updated! Did you perhaps fill out your profile with a bunch of skills you don’t actually have? Go through and make sure you didn’t say you can polka if you can’t actually do it! Don’t put stuff on there just to fill your profile up. Keep it clean and concise and true. I’ve heard so many stories of actors being hired for a “special skill” they listed and they show up to set and aren’t able to perform. They not only make themselves look unprofessional but in turn it looks bad for the casting directors, too. You definitely don’t want to burn bridges that way.
Check out my IMDB page to view my recently updated reels.
3) ARE YOU ON THE RIGHT SITES?
For Los Angeles, if you’re doing commercial and theatrical work, you should have profiles on LACasting, Actors Access, and Casting Frontier. Lesser used ones would be NowCasting and Backstage. If you’re self-submitting, I recommend you pay for a year of Showfax rather than paying submission by submission, it’ll save you money to pay for the subscription and be able to self-submit as much as you want.
4) RESEARCH PROJECTS YOU’RE GOING IN FOR
Are you self-submitting? Are you getting audition appointments from your reps? Know who you’re going in for. What genre is the show? What else have they cast before? For those newer to the game, are these people legitimate or is it going to be a crap shoot? If you watch projects the producing/directing team has made before, and they’re indie, do they look like good projects to be a part of? Your time is like money, and you want to make sure you invest it wisely.
5) PREPARATION PREPARATION PREPARATION
Are you preparing as well as you should for your audition? Do you know the story you’re going to tell in the room? Do you know what your character perspective is? Practice with your actor friends and not your dog or boyfriend or girlfriend (unless they’re an actor, hehe) so that when you go in, you’re ready. If you’re bad at improv, get into an improv class (UCB, Nerdist, iOWest, Groundlings, Second City) and start a practice group outside of class. Do some indie shows. If you’re not in an ongoing acting class, get into one. It’s a bad idea to come here counting on making it overnight, because it takes a lot of hard work and talent and acting is just like any other art. You wouldn’t expect an architect to build a solid house on his/her first try, or a photographer to be able to shoot like Mario Testino right away, you’ve got to hone your skills before you can become a master of your craft.
These are just some basic things you can start with, and I’ll be posting more about other facets of the acting industry as a fellow up-and-coming actor. My hope is that I can save some of you time and money and a headache by giving you some real advice that maybe I learned the hard way, so it’ll be easier for you.
We didn’t pick an easy industry, but we’re doing it for whatever reason, so let’s do it well!
What other topics would you like to hear about? If you have any questions or comments, please comment below!
After our last shoot day on Under The Table, all the wonderful cast and crew there that day! I feel so lucky to know them all! Top Row L to R: Jessie Hixenbaugh, Andra Whipple, Reed Burkett, Denise Valentine, Gabriela Varley. Seated on Sofa L to R: Lauren Davis, Cindy Chu, Maggie Monk, Nathan Krauss. Seated on floor L to R: Grace Earley, Michaela Myers, Hanna Bowens, and Pam (also featured in portrait above sofa)
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